What Is Liquid Before Period?

Maya, Futuro & Felicità

I often think that I should always stop me questions about why and wherefore and vivermi to the bottom of the things that happen to me, the mood. This 2011 so far has been wonderful.

For the first time I am happy and peaceful for more than two consecutive weeks, and for the first time I know exactly why, in a way which allows me to understand and "control" the thing . Should I stop asking me questions, and simply enjoy the moment.

After all what is life if not an infinite sequence of moments? And How important is the future and the past, if you are able to destroy this? We live as if we were to do it forever, when we know that is not so, that every breath could be your last. And we remember with such intensity that at times the past becomes so real to make us dwell in him as a happy land.

Damn memory. What is remembered, if he prevents us from living as you have this? What is the thinking of the future, if not even know if I will live or not?

Yet most people do not do nothing but squirm between past and future, sadly, completely forgetting the present. In fact, even Leopards - that of happiness if it meant little - he had understood: happiness is always past or future, never present , wrote in his Zibaldone .

The fleeting happiness that yes ... is simply much easier to be happy in the past and future than in the present; in the past because it naturally tends to remove the negative that there was, in the future because hope is always the last to die.

I decided that I want to be happy in the present. And they are, no matter how and why.

Ultimamente mi inquieta molto tutta la questione dei Maya e della fine del mondo, che pare essere anticipata al 5 maggio di quest'anno. Ok che non ci credo, però oggi mi è venuto da chiedermi cosa farei se sapessi per certo che è vero. Voglio dire, voi cosa fareste se sapeste con certezza che tra due mesi finirà tutto quanto?!  

Secondo me cose molto diverse da quelle che facciamo tutti i giorni, molto spesso diverse anche dal nostro stile di vita, dalla strada che abbiamo intrapreso, dalle nostre personali convinzioni. 

Io farei cose che ora come ora non mi sognerei never do ... is funny how our perspective would change, our priorities, if the future did not exist. This makes me think that perhaps not truly live, not live as I wish, for simple fear of the consequences. Who knows.

But I had said at the beginning of the post that I had to stop imparanoiarmi?! You see that I am not able! But I'm happy and that is enough ... I happens very often in more than in the morning I wake up in charge, full of enthusiasm, work, happy to begin a new day ... This is too good!

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Sull'eternità dell'Amore

I had already spoken, but as it is a subject I'm passionate about I'll talk more. On reflection (and yes, I have better things to do ... especially at night!) have concluded that there are only two ways to ensure that a feeling is eternal.
One is to accept that changes, which over time and life to evolve, becoming more often into something very different from what was in the beginning.
The most striking example is in my opinion ' love we feel towards their parents, passing through endless stages - Dependency, need, rebellion, intolerance, etc. tenderness. - And then arrive at something very different from what was at the beginning: a need for care, typical of the children, we pass the desire to heal, when we deal with parents no longer young and perhaps invalid.
Yet the core of feeling, that special kind of love that is the branch remains the same while changing. Hence lies the paradox and wonder of human relationships. The stagnation of feelings instead is a danger, because if an emotion does not evolve, it changes sooner or later becomes ill.
A fifty which depends on the parents, who do you treat them, tanto normale poi non è; così come non lo sono quei genitori che si rifiutano di accettare la crescita dei figli, continuando imperterriti a invadere la loro vita come se si trattasse di bambini incapaci. 
In questo caso il discorso fila liscio come l'olio, ma sarà lo stesso per l'amore passionale, quello che lega un uomo e una donna per tutta la vita? In parte credo di sì. 
Penso che i rapporti fallimentari sia quelli incapaci di trasformarsi, quelli che si incrinano quando la passione scema, quelli che non reggono la routine, quelli che non sanno accettare la vita come viene. In parte però non so... l'amore reca con sé una tale dose di mistero unlikely to be fully revealed.

The second way to make that feeling last forever stop it when it is at its peak. may seem contradictory, but it is. A love lived to the end lasts forever, the story where we were left with a broken heart, still in love, will remain etched in our minds.
The end, the death of a love not only freezes our hearts, it is as if crystallized the moment and the feelings connected with it, keeping them forever. This is what I think, this is what I always looked around.
Hardly going to think that the chick that left her heart broken, if the story had continued, he would one day be tired of her, sending her to hell tired of the continual betrayal.
You think that would last forever just because they do not know how it would end really, with no end "premature".
Here I close, because I know that I have enough to pontificate today!

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Scende la pioggia...

I love the rain. I know it sounds strange, that sometimes can also be considered synonymous with a sad and melancholic mood (which is true in part for another), but I crazy for the smell of rain , for that rhythmic ticking that articulates and expands the time. ;

The rain the smell in the air, feel like its fragrance contaminates the nature and the world around ... everyone has a different smell when it rains . And as a child you know subconsciously recognize the smell of wet earth, wet hair, wet wood and wind, sai come l'aria è carica di elettricità e di attesa quando si sta preparando un temporale. 

Alle volte mi incanto a guardar scendere la pioggia fuori dalla finestra. Mi verrebbe voglia di correre in strada e danzare col naso all'insù... e lo farei anche, se non temessi di esser presa per pazza. 

Una volta, tempo fa, su una rivista lessi che secondo uno studio camminare sotto la pioggia avrebbe come effetto quello di aumentare il buon umore. Be', io ci credo a questa cosa, perché a me succede esattamente così! Mi mette allegria zompettare tra le pozzanghere con un ombrello colorato, sentire the drops patter on the fabric and stretched over the roofs of the houses, see the lights of cars on the road bright and diluted in the reflexes.

Of course, if you are running or have to go out by force under the Flood universe, then yes, annoys me too ... but the rain itself is not bad. And to read or write is my absolute meteorological time (it says so?! Boh ...) preferred.

To write because rain inspires me. The windows fogged, streaked with rivulets and thin lenses that seem to tears, I riportano indietro al passato, mi stimolano a riflettere e a perdermi in quel particolare mix di pensieri, ricordi, sensazioni e tristezza che fa la felicità di ogni aspirante scrittore. 

E poi mi fa sentire protetta, stretta nel bozzolo caldo della mia stanza, dove sono circondata da tutto ciò che amo. Per leggere poi la pioggia è l'ideale... regala concentrazione e la fantasia può spaziare a suo piacimento. Servono forse altri motivi per amarla?

What Is The Clear Liquid Before Your Period?

Parlando d'Arte, Jack Vettriano (Fife, 1951)

Io non sono un'esperta d'arte. 

Anzi, è bene chiarire che ci capisco poco e che non conosco altra categoria in base alla quale giudicare un'opera d'arte se non il mio gusto personale. 

O meglio, il mio senso del bello. 

Nel mio piccolo mi reputo un'esteta, tutto ciò che secondo me è bello mi affascina e mi rapisce.

Dovendo fare la venale, ad esempio, preferisco mille volte un uomo bello a uno ricco. 

My fees are pretty classic - symmetry, perfection, sensuality - and I can make out the beautiful "objective" from what fascinates me although not exactly perfect.

The whole premise to say that in talking about art, and in the "present" my three favorite artists, I will not speak of impressionism, baroque, classicism and pop-art.

will talk about what attracts me, the works that caught my attention and have been able to enchant; but above all, speak of the works that excite me, I offer thoughts, dreams, moods and emotions.

The works that make me want to try and trigger my imagination, sometimes inspiring my writing. ;

The first of these artists is called Jack Vettriano.

not say that I love the idea.

I simply adore his bold and attentive to details, especially per quanto riguarda le figure femminili, grandi protagoniste della sua arte; le atmosfere misteriose e cariche d'attesa che sa evocare, che ricordano molto gli anni Cinquanta, i locali fumosi e la seduzione d'altri tempi; amo gli attimi sospesi che ritrae, i l modo in cui riesce a catturare l'istante eterno che non è il prima né il dopo, ma è il culmine del pathos e dell'attesa, quando ciò che aneliamo sta per accadere. 

Amo gli abiti dal sapore vintage, l'eleganza delle posture, l'immobile sensualità dei gesti, la simmetria che regola una passione studiata e padrona di sé, mai scomposta o indecente. 

I languishes in observing the way women portray know, the love with which emphasizes the details.

His muses are brunettes - in all production there will be maybe two blondes - elegant and sophisticated.

wear black lingerie, suspenders and neck with the heel.

Votes moves and lazy cat, is captured, they seem not to lead the game, but always give the impression to have them control the situation.

I chose several works to adorn the post (maybe too much, but when it comes to Vettriano are not able to make a selection.

Like all in defiance of critics who call him a populist and no talent).

And 'one of the most popular living artists in the world, and it is estimated that the reproductions of his works still billing for more than the original.

The paintings have as propose the guiding seduction .

I purposely dropped the most famous, because space is scarce and I certainly can not occupy the entire blog, though I would like.

I hope this "gallery"

seduce you too

as did with me ...

Attualmente il mio preferito!

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Io non soffro per amore - Lucia Etxebarria

Lo vidi per caso in offerta alla Feltrinelli proprio il giorno in cui chiamai il mio ex per chiedergli spiegazioni dopo due settimane di silenzio. Lo interpretai come un segno e lo comprai, sebbene diffidassi di quel titolo che faceva tanto “manuale-idiota-per-novelle-bridget-jones”. Invece è tutt’altro. 

Certo è scritto con brio, humor e leggerezza, tuttavia affronta temi seri e interessantissimi, mostly related to psychology and sociology: from Freud and his Oedipus complex Electra & Bowlby's attachment theory, the "Beauty Myth" by Naomi Wolf a 'extremely lucid and sobering analysis of behavioral models offered by TV series, soap and whatever else comes into our homes through television and other media.

A very interesting book that deals with love in a realistic way, light years away from the stereotypes and melensaggini we are used, an author competent and straightforward, which speaks all’intelligenza e al buon senso delle donne, offrendo loro un’unica grande certezza, da non smarrire mai:  SE UNA RELAZIONE NON TI RENDE FELICE, ALLORA NON TI SERVE . Punto.

Riporto alcuni brani del capitolo in cui si parla di violenza morale e psicologica. 

Sono parole che mi hanno raggelata e impaurita non appena le ho lette la prima volta;  It took all my courage to identify with my experience and give a last name, to see clearly that for months I could not understand or to explain to anyone, let alone myself. I sensed that something was wrong, but this certainly did not serve to make me feel better or to change the situation. Not always a man with serious psychological problems and social skills - he is her father, boyfriend or husband - uses physical violence to prevail on his woman, more often, especially when it comes to civilized men , with a certain culture and good manners, use is made a more subtle form of violence, subtle and often invisible. But no less dangerous.

Indeed, it is perhaps even more, because it is an invisible enemy, masked normal, that the abused woman, more and more insecure and confused, struggling to recognize.

And the consequences are often devastating.

***

  Violenza morale o psicologica

La maggior parte delle volte neanche le vittime realizzano di subire un maltrattamento. Per questo motivo il maltrattatore cerca di fare in modo che chi le circonda cominci a dubitare delle loro impressioni, dei loro ragionamenti e persino della realtà delle loro azioni. Convincere una persona che la sua percezione della realtà, dei fatti e dei rapporti personali è sbagliata e ingannevole, è assai facile.   Bisogna negare che sia mai successo quello che invece è accaduto e a cui si è presenziato;  basta convincerla che, invece, ha detto o fatto qualcosa che non ha né detto né fatto;  accusarla  di aver dimenticato quanto realmente è accaduto, di inventare problemi    per poi soccombere ai sospetti,  di interpretare sempre in modo errato, to distort the words and intentions, it never reason to imagine enemies and ghosts exist . For those who are in the position of victim is difficult to see the violence, because in certain situations develop psychological mechanisms to avoid seeing the reality, when it is too unpleasant. The fact that we accept to be victims of a situation of emotional abuse, probably by a person who is estimated imposes an enormous burden of anxiety that is not easy to digest. You difficult to accept that someone you love you should use violence. And since the victim does not understand the reasons, become insecure, irritable, aggressive and even violent. You like a cat chasing its tail, because it blames the anxiety he feels no ill-treatment, but to their excessive sensitivity or susceptibility. And ill-treatment in question maintains this question scrollandosi di dosso le proprie responsabilità e  accusando la vittima di essere pazza, isterica, depressa o paranoica .  Caratteristica della violenza perversa, infatti, è la capacità di gettare l’altro nella confusione, facendogli perdere i punti di riferimento, finché non sia più in grado di distinguere ciò che è normale da ciò che non lo è.

(….)

Questi maltrattatori negano l’aggressione, condiscono le loro frasi di humor, di ironia, di commenti apparentemente innocenti che vanno dritti ai punti deboli della donna e l’affossano lentamente. Se la vittima si lamenta, si sente dire una cosa che l’abbatte ancora di più: “Scherzavo tesoro, non devi prendertela tanto”,  frasi che insinuano il sospetto che lei sia un’instabile pronta ad offendersi al minimo pretesto o una sciocca completamente priva di ironia.  L’aggressore nega l’aggressione; il problema, dunque, viene scaricato tutto sulla vittima. La psichiatra This defines violence as "evil," a true destruction, very insidious because it indirectly. The person is ripped apart, consistently and repeatedly through words and gestures of contempt, humiliation and disrepute. The attacker discharge their frustrations on others, thus avoiding all responsibility and inner conflict. It humiliates those who drew near. The goal, therefore, is the concealment of his own incompetence and weakness . The attacker never loses and brackets and do not ever raise his voice, speaks with the same flat tone, shows a cold hostility to deny that it is ready when you allude to it. The cause of the problem is not obvious, the aggressor refuses to talk about what does not work, this rejection paralyzes the victim and prevent her from finding a solution. All I can say that it is systematically distorted so that it can always find him out: it is scorned and humiliated. Lui la prende in giro, ma i modo sottile, così che i possibili testimoni avvertano solo un vago sentore d’ironia.

(…)

L’abuso psicologico si realizza attraverso  affermazioni terse a svilire, minacce velate, critiche e derisioni indirizzate all’aspetto fisico della donna, alle sue iniziative e alla sua personalità, accuse  e via dicendo, il tutto nascosto sotto atteggiamenti affettuosi volti a disorientare la partner perché, obviously, it is difficult to be wary of someone who's fat all the time but then says they can not live without you and when you do it is targeting only joking and that's you who always make you the bad, damn baby, what you are susceptible cabbage.

(...)

The attacker only has to be a mediocre, aware of his gray, with a total lack of moral rectitude and disorder serious identity that results in envy toward the partner, which is perceived or considered to certainty, above. So to compensate for feelings of inferiority, dissatisfaction, but hidden deep, trying to gain power over the partner to override it.

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Il coperchio del mare - Banana Yoshimoto

After beginning started reading The cover of the sea, I promised myself that for me would be the last book by Banana Yoshimoto.

I say this every holy time but for some reason we falling back on time. Covers will be well done, the aura of simplicity that give off, or, more likely, the seduction of the already low prices Universale Economica Feltrinelli, that when there are discounts lets with five to seven euro to take home a book well done (more or less, because this last time the pages were unglued ... and I am certainly not a book that wronged them, in fact).

Returning to the book, was a disappointment.

a trivial one, to the point that one wonders if the Yoshimoto has not run out of ideas. But if so, why for a while 'do not stop writing and resumed when it has something to say?

will seem sour, I realize, but this book really does not transmit anything, especially the loyal readers of Yoshimoto that certain thoughts - o di simili - nei suoi libri li hanno già letti e riletti fino allo sfinimento. E pensare che avevo amato alla follia l'esordio letterario scrittrice, Kitchen , e avevo pianto come una fontana leggendo il racconto in appendice, che poi altro non è se non la sua tesi di laurea in letteratura. 

Da allora lo stile non è cambiato, è sempre lieve, amabile e delicato come una carezza, ma certo da solo non può bastare. La narrazione è inesistente, non succede praticamente nulla, luoghi comuni e ovvietà si sprecano; senza contare che lo stesso concetto - l'amore per il proprio paese, un tempo vivo e pieno di turisti, che va verso il declino - viene ripetuto con parole diverse fino allo sfinimento, is not nearly as long to shout: "I understand."

Every so often, as I write, I wonder if they are too strict. This book I finished at the bottom, although for pure spirit of duty and completeness, while others - a few - I do not have just done. So I admit that yes, a bit 'of good will can be read, because it is short, but this certainly is not my definition of a good book.

A good book is what you consume, which you carry and take advantage of every free moment to reopen it, that can not wait to get home to read the rest! The cover of the sea instead is quite similar the topic in a class of lazy student: tasteless and extended up to capacity, just to fill the pages you need.

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Dalla parte di John Galliano

I was writing a new post on interpersonal relationships between men and young girls over60 (always inspired by the events of our prime minister), but the latest story about my favorite designer I have the urge to leave it there and write this post. I state something important, especially for those who visit my blog and make comments without reading the post. I do not intend to justify the conduct of the designer, are the first to say that was wrong and must accept the consequences. I threw that against which it is the "witch hunt" that is being waged against him, as if he were the only gay in the world anti-Semitic, and the speed with which the world fashion have turned their backs, and until the day before the hosanna.

First I want to say a few words about the extermination of the Jews and the Holocaust deniers and anti-Semitic, again for those who comment without reading, accurate and I am not totally agree with the ideas. Do not think that anyone who hates Jews are few losers. Many more than I imagined and are found everywhere, in any social class, education level, gender, religion, sexual orientation, nationality and political affiliation. Some years ago an Italian doctor has published a book called "Honeymoon in Auschwitz"

( http://www.homolaicus.com/storia/contemporanea/negazionismo.htm ), where through a study of science and mathematics, deals with all theses negazionistiche the extermination of the Jews. One of the most chilling thesis is that " the figure of 6 million Jews killed in death camps was invented and hugely inflated" because " the crematoria were not capable of enabling the thermodynamics for this large number of cremations " . Fortunately, in the notes of the book, lists the documentation to the contrary to these statements (the Jews are not all deaths in gas chambers). But it is, however, supported the main thrust of the deniers and anti-Semites, that is, " that the figure was deliberately gonfiata dagli ebrei, perché così possono fare la parte delle vittime, giustificare le loro azioni belliche e ricattare le altre nazioni ». Lo so, è terribile quello che ho scritto ma è la verità. Se le tesi negazioniste si possono confutare, come dimostrato nel libro, molto più difficile è riuscire a sradicare le opinioni che si creano in seguito ad eventi vissuti, diciamo, in prima persona con persone ebree. Ho conosciuto un ragazzo che abitava in una città del settentrione, dove è presente una grande comunità di ebrei, il quale mi ha riferito questa sua vicenda. Lui si era invaghito di una ragazza ebrea, ma il padre di lei gli ha vietato di frequentare la figlia a meno che non avesse rispettato queste condizioni: had to be circumcised, and had to convert to Judaism to marry the girl (who a few years after she ran away from home). He ran like hell. Imagine the anti-Jewish friends of the boy what they said about his father ... I'd rather not bring it back, but I assure you that they were worse than what it says in the video Galliano.

Going back to John Galliano, there are certain points in the drama that I was not clear and my professional deformation forces me to analyze them one by one. The first is the place where the designer has turned the insults. From the outset it was said that the room was a favorite of Galliano, where he took refuge in a beer (I think, huh, can bere anche vino) dopo una giornata di lavoro in atelier tra bozzetti da disegnare, sarti da supervisionare, vestiti da controllare e modificare, clienti e giornalisti da incontrare, donne d’alta società con la puzza sotto il naso da accontentare (e che richiedono una pazienza di ferro)…insomma, come a noi comuni mortali anche a lui sicuramente saranno capitate le giornate storte! E qui passiamo al secondo punto. Se lui era un cliente abituale di questo locale (frequentato prevalentemente da gay, stando alla televisione brasiliana) situato nella zona ebraica di Parigi, molto probabilmente i proprietari lo conoscevano bene (e forse sono loro stessi ebrei). Ecco, secondo voi, se un cliente abitualmente si ubriaca ed insulta i presenti, owners are involved in looking away or the customer? If this has never happened (at least it appears so far), I'm thinking that the drunkenness of Galliano has been somewhat sporadic.

And now for the popular video circulating on the net, where we feel under the influence of alcohol Galliano speak in capital letters and do terrible anti-Semitic statements.

First, this video does not directly address the incident in which he is charged, that is anti-Semitic insults nei confronti di due clienti del locale, ma risale a qualche mese fa e, magicamente, spuntato fuori negli ultimi giorni, poiché venduto alla rivista inglese Sun che ne ha avuto l’esclusiva (e non consegnato alla polizia). Eppure la polizia francese utilizzerà questo filmato come prova per accusare definitivamente Galliano. Praticamente se io una sera mi ubriaco ed offendo una persona, se questa mi denuncia può utilizzare una prova datata per accusarmi del mio reato. Da qui si deduce che, se avete alzato il gomito, è meglio far sparire tutti i filmati o foto che vi riprendono in quelle condizioni…
Ora, in 0:41 secondi di filmato non si capisce il contesto in cui è stato girato, perché inizia a discorso già avviato. In addition to the swollen tongue of the designer, you hear that giggle of young female voices. If you listen to a good (maybe even more than one) of these girls has a very strong Italian accent and you hear the phrases "It's not good," "O my God!" And "Well, but where are you from?". From the tone with which begins Galliano seems to be responding to a request made before the registration of the movie. At this point a girl asked him "Are you blonde?". He responds with the first sentence of the offending "No, But I love Hitler," referring to a previous speech. A girl cried out: "Yes?". And here comes the offending sentence from the stylist "People Like You Would Be Dead, Jewels. Your mothers, your fathers, would all be f***king gassed», scioccando le giovani presenti e chi guarda il filmato. Una ragazza dice: «We are problem (non si sente la “s” finale)». Lui risponde: «With you, you are ugly». A questo punto un’altra ragazza (con un accento più inglese) gli fa un’altra domanda riguardante sempre gli ebrei (che non riesco a tradurre letteralmente) e lui risponde: «Not with people are ugly». Un’altra ragazza, quella con l’accento marcatamente italiano, gli chiede: «Where are you from?». E lui la manda deliberatamente a quel paese. Guardando invece l’ambiente, si notano due bicchieri sul tavolo di Galliano (o se li è he is drunk or with friends), while the girls on the table is a glass of red wine and the young woman holding a mobile phone wearing a pink sweater (seen at the beginning). It seems to be outside or in a smoking room, there are constant reflections of passing cars, and behind the designer, you'll see the patrons of the restaurant to talk and joke.

Well, watching this entire movie, I do not think that girls are arguing with the designer drunk, but as I read on several sites and newspapers, where some attribute the offending video to the evening. I repeat, do not know the topic of discussion, but we understand clearly that the girls are causing Galliano, taking advantage of the altered state of alcohol, and if the giggle, film like a funny memory of a school trip to Paris. With regard to my opinion on, I agree with that of Franca Sozzani ( http://www.vogue.it/people-are-talking-about/last-short-news/2011/03/franca-sozzani-john -galliano-Semitic).

Thanks to this movie, the fashion house Dior's John Galliano fired after 15 years of honorable service (I hope to have at least given a good severance pay) and after having raised the image of the house, in economic difficulties before he got him ... and to think that initially defend him ... Of course, the whole world of fashion has often pointed out that Galliano is difficult to work with, because it has a good temper, but his talent is undeniable. I think that it was not the only entranced watching his shows, always very colorful, with original clothes and bizarre, in a short time was able to get the women of the international jet set at his feet. If it is true what he said Valentino few years ago, that "the world the buyers who can afford high-fashion clothes are about 50 " means that the output of Galliano goes all out in the other fashion houses , given that the market is so tight.

Galliano, seeing the movie, keeps saying not to remember what he said ... you try it to get drunk and remember, months later, how was your evening. So, now you add all those people who have had serious repercussions on his career because of anti-Semitic statements, such as Mel Gibson. I do not know how it will end, but whatever happens, I think John Galliano is a man of many resources and will to build on this experience, reborn from its ashes like a phoenix, for me will always be my favorite designer, even if should I open a loan to buy his clothes. Thus, "John Galliano, you think."

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Il Cigno Nero - Darren Aronofsky

Poster The Black Swan, 2010

The beautiful Israeli actress Oscar for Natalie Portman, delivered during the traditional ceremony was held last night in Los Angeles, is without doubt one of the most deserved.

knows well who has already seen Black Swan , that Black Swan that we, as often happens, came very late compared to the rest of the world.

Released in Italian cinemas on February 18, the film by Darren Aronofsky (who had already of Requiem for a Dream and The Wrestler ) was in fact already been presented in Venice, where in September he opened the Venice Film Festival. Psychological thriller set in the world of ballet in New York, the Black Swan is one of those movies where the lead actress - in this case una sublime Natalie Portman – a fare la differenza. 

Perché il film, che gioca ripetutamente con gli elementi classici del cinema horror, è interamente incentrato sulla ballerina Nina, fragile e innocente al punto da suscitare emozioni contrastanti in chi la guarda; istinto di protezione da un lato, irritazione dall’altro.

Cupo, ipnotizzante, visionario e ambiguo, senza per questo risultare incomprensibile, il Cigno Nero trasfigura simbolicamente l’inarrestabile discesa negli inferi di un animo che ha rigettato il male nella stessa maniera in cui rigetta il piacere: inconsapevolmente, senza appello. 

Ma il male non è qualcosa che si può sotterrare senza conseguenze, negandolo come un misfatto senza testimoni.

Il lato oscuro, che nel film assume le sembianze dell’erotismo, rappresentato da una Mila Kunis perfetta nella sua scandalosa naturalezza, dell’invidia e dell’ambizione, esige di incarnarsi nella regina dei cigni per condividere la scena con il suo candido alter-ego.

Si tratta in fondo dell’eterno dilemma dell’essere umano, in bilico tra bene e male, alla perenne ricerca di un compromesso, consapevole che se convivere con entrambi vuol dire giocare col fuoco, rinunciare a uno di essi è peccato mortale. Non si può odiare il cigno nero senza rimpiangerlo, senza sentirne la mancanza con un dolore tale che può condurre fin sull’orlo della pazzia.

Il film insegna che quello che celiamo con più accortezza, quello che non riusciamo ad accettare, quando trova uno spiraglio per uscire allo scoperto non può che trionfare, forte degli anni passati a nascondersi, a covare, come un germe che infetta tutto ciò che incontra sul suo cammino.

E l’ambizione, l’ossessiva quest for perfection is itself perversion and sin, because to be perfect as it is necessary first to destroy all traces of humanity.

In Black Swan, Aronofsky uses the classic Swan Lake to stage a women's archaic and inaccessible, embodied by characters who are victims and victimizers at the same time.

This is not a case, if the whole story cement its strength on a gallery of female figures too much yet credible, the pillars of a narrative that range from horror to drama know, from the erotic thriller.

the background, little more than a simple appearance, the dance teacher played by Vincent Cassel a good while, the only male character, which in my opinion lacks the credibility necessary to appeal to the end.

Too flat, too obvious and predictable in its perverse impotence.

Overall a movie to watch, as good as we have not seen for a while ', which fans of the genre will love the madness and some vaguely Lynch, seppur annacquato e reso decisamente più accessibile. 

Ma soprattutto, un film dalla duplice lettura: intrigante se possedete un’accentuta vena psicologica, semplicemente godibile se siete amanti del thriller.